Hathor Blessing: Crop Circle finale & farewell

Salutation to Hathor, goddess of love, music and beauty and Lady of the Stars, whose ritual Menat necklace represents the Souls of the blessed ones
The formation’s simple lines and clear message to crop circle followers may be overlooked among a plethora of dimensional designs which have dominated the 2010 crop circle season.
Linking its unadorned but glorious glittering shape to a Menat necklace — the symbol of primeval mother goddess Hathor in both the Old and New Kingdoms of ancient Egypt — is not difficult. A ritual curving jewelled shoal of splendour, its form is emblazoned in our collective memory, even as a northern species, derived from classical and prehistoric civilization of Europe and the Mideast.
She is the world’s most ancient goddess, embodiment of the planet Earth herself. It is she who cradles the sun each night as he sinks in the west.
Even the current fashion in heavy female neckware harks back to that classical curve: row upon row of minute turquoise beadwork and beauty created to invoke delight in a child, desire and pleasure in a model on the catwalk.
In present-day Wiltshire, we may not admit to being familiar with Egyptian hieroglyphics, hieratic script or deathmasks and tomb-paintings of the earliest dynasties (Great Pyramid of Khufu, 2589 – 2566 BC). But we have dormant memory banks, our bodies contain suppressed genetic code which probably remembers such a time, can ‘feel’ the weight of such a beautiful collar round our necks, desire the touch of such a ritual necklace.
It belonged to the Earth’s primeval goddess, Hathor: bringer of love, abundance, joy, fertility and regeneration.
As a swan song for the Wiltshire crop circle season of 2010, it seems a fitting statement to place at the height of English summer, when crops of wheat, barley, maize and even oats glorify in eight-hour days of beating sunrays pounding health and vitality into their stems and cells, literally seconds on the cosmic clock before the combine harvesters slice through life, growth and celestial graffiti.
Judging by a pronounced extra-terrestrial bent to this season‘s creations — despite a fairly good supporting cast of ‘plankers’ (man-made designs) — and with Science now firmly convinced of genuine CC enhancement in grain nutrient value and crop size by ET’s ‘light treatment’, I fervently hope someone is buying up Wiltshire wheat to bake into ‘DNA-enhanced’ bread, or wonder-pasta for our general wellbeing!
While there have been many man-made attempts this summer to emulate the light-bent nodes of superluminary crop circles, the Beckhampton message from the goddess appears to be genuine.
But, back to symbolism. Why Hathor? Why choose to imprint English fields — and thereby all of croppiedom — with a blessing from an ancient goddess who ruled heaven and earth before most of the western world could write?
Some time in Egypt’s pre-dynastic past the Goddess Hathor came into being, considered a major force in the creation of the world. Hathor was worshipped for over 3,000 years. Alternate forms of her name are Hwt-Hrw, Het-Hor, Het-Hert, Athor or Athyr.Hathor, frequently seen as Egyptian Cow Goddess whose horns ‘held the Sun’, is probably Earth’s most ancient female deity. She encompassed so many different qualities and roles that it’s near impossible to list them all. She has been known as Sky Goddess, Sun Goddess, Moon Goddess and Goddess of the West. She was known as goddess of Moisture, and of Fertility, Agriculture and Motherhood; Goddess of the Underworld, Mistress of the Necropolis and, in her role as Protectress of the City of the Dead at Thebes, she became Goddess of the Dead.

Amenhotep III's ritual Menat necklace of bronze, faience, stone, glass and turquoise was gifted by goddess Hathor to pharaoh to engender his rebirth; courtesy Metropolitan Museum of New York
The Menat Necklace was a ritual object first seen adorning the neck of the goddess and later used in ritual ceremonies to Hathor. The bejeweled necklace had many strands which ended in a counterpiece that, when originally worn as a collar, would hang down the back of the neck. In later use it had a ceremonial purpose and was wafted and waved as an amulet over the devoted to convey a blessing from the Goddess. The Menat symbolized fertility, and some sources see its offering a mystical union between the Goddess and her followers.
Are we earthlings now ‘followers’ of the wise goddess? Do we rate a heavenly blessing from the most high?
All summer long we’ve been expecting a message from God. Finally, as the year turns to autumn, we get a blessing from Goddess.
Much like the goddess Ishtar, Hathor’s attributes were a complex combination of the sacred feminine, death and the afterlife. It was she who bore bodies of the dead to the Underworld, she who actually took ownership of them. In this role Hathor became Queen of the Underworld.
In her association with Sun God Ra, Hathor was granted the title ‘Golden One’, while also sharing the name, ‘Eye of Ra’ with goddesses Sekhmet and Bast. Hathor was Protectress of Horus, the falcon god, and called a wide variety of names in that role. Some attributes appear conflicting and confusing and, as Mother Goddess, Hathor was often confused with both Isis and Nut. What confuses even more is the fact that she subsequently ‘became’ Isis who, in a later period, absorbed and acquired many of the aspects previously attributed to Hathor.When she governed in her principal place of worship at Dendera, Hathor’s role as Goddess of Fertility, Women and Childbirth was venerated specifically. Her temple there was filled with incense, intoxication and pleasure. At her other temple in Thebes, however, Hathor changed into her robes as Goddess of the Dead, known as ‘Lady of the West.’ In Thebes she cradled in her arms the sun god Ra, as he descended below the horizon in the west.
Hathor has represented the erotic in femininity and procreation, and was frequently identified with Greek goddess Aphrodite, Roman Venus. In her role as Goddess of Fertility, Hathor represented Nature’s creativity, and as Goddess of Moisture, she was associated with the annual inundation of the river Nile. In this aspect, Hathor was linked to dog-shaped constellation Sothis (Sirius, ‘dog-star’) which, at its heliacal rising on the eastern horizon — immediately before the Sun — announced yearly flooding of the Nile in July.Eventually, in a later period, when Hathor’s role began to change, Isis/Osiris (Serapis) cults gained popularity in Egypt and then spread through the Roman empire and Greece. Because of her fertile and life-bringing nature, Hathor was considered capable of reviving the dead; she welcomed them to the Underworld, dispensed water to them from the branches of a sycamore tree, and offered them food. In various New Kingdom tombs at Thebes Hathor is depicted embracing the dead.
In pre-dynastic times, and certainly in the early dynasties, Hathor is seen as the cow-consort of the Bull of Amenti, the original deity of the Necropolis. As queen or ‘Lady of the West’, her mortuary title as Protectress of the Necropolis valley on the west bank of the Nile, in her role as protector she not only oversaw where the sun (Ra) went down, but this choice location for later kingdoms’ burial tombs.
Amazingly Hathor, one of the world’s greatest goddesses, was worshipped for a longer period than Christianity or Islam have reigned. Hathor’s religion of joy and celebration dominated for over 3,000 years. It continued strong throughout Egypt, and through both Greek and Roman empires, where it spread and became assimilated.
Her cult was in its heyday when the first great pyramids were built and used as sacred pharaonic tombs, and lasted until pyramids were no longer used for that purpose, by which time royal patrons continued under her protection on the west bank of the Nile in the great Necropolis Valley of the Kings.
She is the equivalent in Nordic, Celtic and Anglian territories of the Old Goddess of the pagans. She perpetuated in popular speech, in rituals of hearth and earth, in festival custom with its cargo of symbol and myth. She was seen as the source of life, power and wisdom. People prayed to her for wellbeing, abundance, protection, and healing. They invoked her during birth, and the dead returned to her and moved in her retinue.
They say that the Old Goddess, Crone who rode the winds, caused rain and snow and hail on earth, and that she revealed omens of weather and death and other momentous things to come.
In this sense she and Hathor are one and the same: primeval Eve, Brittonic Bride, Norse Auohumla, the great cow-giant goddess, true ancestor of the Norse gods. She is also Gaia, Sumerian Antu (who later ‘became’ Ishtar, goddess of love and procreation).

Apex of inspirational 'Hathor crop circle' at Northdowns, Beckhampton, Wiltshire, photo courtesy Bert Janssen
The superstition held today of Friday the 13th being unlucky may stem from the betrayal of the Knights Templar on Friday, October 13th 1307 (Old calendar) when their monastic military order in France was arrested en masse by King Philip. The Spanish, however, hold Tuesday as their unlucky day; so the suggestion is a tentative one. Perhaps ET used the date merely to get our attention. It’s a familiar technique he’s employed over the years to combine crop images and Calendar.
An alternate explanation occurs: in later European tradition Friday was observed as ‘holy day of the goddess’, beginning with its eve on Thursday night. In that sense she is Norse goddess Freyja. The dark of the year was sacred to Old Goddess. On winter solstice nights, she was said to fly over the land with her spirit hosts. Tradition added that shamanic witches rode in her wake on the great pagan festivals, along with the ancestral dead.
Reverting to the Hathor connection, one ancient tale is retold of a group of goddesses, bearing cow horns and playing tambourines who went by the name the Seven Hathors. These Hathors were able to foretell a child’s destiny; similar in many ways to the weaving of the Tapestry of Life by the Fates, the Norns or the Disir. The Hathors were more than clairvoyants who could see into the future. They were questioners of the soul as it made its way to the Land of the West. In addition to knowing a child’s destiny, the Seven Hathors could foretell the exact hour of his death.
Egyptian mythology held that a person’s destiny was decided by the hour of his death and therefore his fortune, or lack of it, stayed with him throughout his life. The Hathors were known to have extreme powers, and were able to replace a prince, born with a bad fortune, with a child born with a good one. In this way they had the ability to protect both the Dynasty and the nation. The Seven Hathors are presently receiving some attention through the works of musician and psychic channeler, Tom Kenyon. When Hathor’s ‘old’ attributes became overshadowed by those of Isis and new kingdom beliefs, the Hathors were sent into the sky. There they have become identified with the Pleiades.
In more northern latitudes, reverence was paid for centuries to the Old Goddess in planting and harvesting, baking, spinning and weaving. The fateful Spinner was worshipped as Holle or Perchta by the Germans, as Mari by the Basques, and as Laima by Lithuanians and Latvians. She appears as Befana in northern Italy and as a myriad faery goddesses in France, Spain, and Celtic countries (Brittonic Bride). In Serbia she is Srecha; in Russia Mokosh, Kostroma or the apocryphal Saint Paraska.
The Old Goddess was commonly pictured as a crone or aged woman, and origins of her veneration are lost in the mists of time. While goddesses of ancient ethnic cultures have unique qualities, they share traits, a deep international genetic root. Old Goddess is like the weathered Earth, ancestor of all, a tangible presence in forests, grottos and fountains. In her infinite guises she manifests countless forms: as females of various ages, she shapeshifts to tree, serpent, frog, bird, deer, mare and other creatures. Surviving the European Reformation, she remained beloved by the common people.When farmers, and those who worked the land, were less dependent on technology to produce our food, Mother Earth and nature played a much more important role in the annual cycle of life. In particular, the harvest of cereal crops was a major event in the calendar.
We are now three weeks into ancient Lammas, the traditional harvest season.
In pre-industrial times a summertime ‘Lord of the Harvest’ would be given the responsibility of planning the harvest and marshalling the workforce, and when harvest was finally done they would celebrate with a ‘Harvest Home’ feast.

Corn Dolly made from the last (Clyack) cut sheaf, held sacred through winter, a blessing of Earth's bounty
Straw from this last sheaf was woven or plaited into the complex shapes of corn dollies, as cornucopiae, horns of plenty, horse shoes, knots, fans and lanterns. Ultimately, shape depended on local tradition, but in every case a symbolic ‘dolly’ graced the top table at the end-of-harvest feast and was then carefully guarded over the winter months. When spring crops were sown, the dolly re-emerged to be carried round the fields to pray that Nature and corn goddess delivered up another good crop.
In Wiltshire they’ve already started the harvest. Even in my native Aberdeenshire winter barley is going under the combine. Three weeks into Lammas (which pivots round August 1st), harvest is in full swing.
Our consciousness these days has become less aware of such natural cycles of food-cultivating-and-cutting; we are lulled into ignorance of the provenance of our daily bread. Perhaps it is this lulling that the crop circle presence wants to jerk us out of: to rekindle in us an appreciation — even reverence — for Earth’s bounty and her unconditional gifts of life and nourishment. More significant may be the appearance of a ritual symbol in the crop to help us understand our civilization’s most ancient ancestral traditions which show respect for (Earth’s) sacred creator gods.
Hathor was probably civilization’s earliest goddess. Her blessing showered on us now from above, five thousand years after the zenith of her devoted following, emblazoned in golden grain for our delectation and visual appreciation (aerial photographs superbly provided by Frank Laumen and Bert Janssen, thank you guys); it sparks our earliest memories of civilization. Are we being given a futuristic jab in the arm, to trigger our DNA? or to learn to appreciate more fully what our ancestors understood?
Our senses are being stroked, honed, we are receiving her gifts again. Not only was she goddess of birth and death, she was goddess of REBIRTH.
It’s just possible she has returned in essence now to show us that — at the end of the 2010 season of remarkable cosmic signs — our species is poised on the brink of rebirth: that we humankind are jointly headed for regeneration.
Dare we hope? As we come together as a race, as we feel joy in our rebirth, may we also see a faint promise of Hathor’s greatest gift? Immortality?
Fire Festivals & Persistence of Pasche
‘First come Candlemas
Syne the New Meen
The niest Tiseday efter that
Is Festern’s E’en.
That Meen oot
An’ anither at its hicht
The niest Sunday efter that
Is aye Pasche richt.’
Ancient Scots Easter calculation. Anon.
The Calendar according to the Moon was regular as clockwork. It was reliable, you could see it in the sky and you could set your life rhythms by it. The old Scots rhyme above spoken slowly will make sense even to the least son of the soil of Ultima Thule. But non-Scots may need a little help in translation.
Festern’s E’en – as Hallowe’en – was an ancient calendar fire festival celebrated, like all pre-Christian revelry, at night. And, like Hallowe’en, it still is. Only we call it by another name: Carnival.
Translated simply, it is the evening before the ‘Feast/Festival’. With a capital F, this celebration was one of the greatest fire festivals in the Celtic Year. When it became absorbed into the Christian calendar, its importance and significance to the populace was so great, that it was deemed necessary to give it a place of prominence second only to Christmas. As such it has remained. The festival that precedes Easter is throughout the world celebrated with fire and puppetry,processional and masqued balls, dance and music and food and drink.
If you ask a South American about Carnival, ‘Carnaval’ in Portuguese, he will tell you they prepare for it all year round. In some cultures it has become almost more important than Christmas – a reversion to type, backtracking to pre-Christian times.
In Brazil, it makes complete sense to hold Carnaval precisely on its February moon date in the ancient calendar because in Rio de Janeiro and Buenos Aires it is full-blown summer. By contrast, German Fasching, held similarly in February, is pretty chilly dancing in the noctural streets of northern Hamburg!
Carnival used to be held in the Bahamas in February too, when spring is at its height and the casuarinas blow carefree along Nassau Beach. But in the summer of 1965, Chubby Broccoli and Sean Connery made a James Bond film set on Paradise Island and commissioned the Carnival Committee to stage an ‘extra’ Carnival, so they could weave festive fiery scenes into ‘Thunderball’; since then Bahamian Carnival has been a summertime festival. Similarly, the London Carnival of Notting Hill, begun in 1964, is held on the last weekend in August. No connection to Lent or Easter any more.
But originally, before the Gregorian calendar took over calculation and reckoning by the moon in 1582, Carnival was high festive season in that ancient stream of festivities used by Man to celebrate the return of the Light to a dark winter world.
Candlemas, as I’ve mentioned before, is the first glimpse of light waxing and adding grace to the darkest days of winter. On February 2nd – or Bride’s Day, before solar months took over as calendrical norm – the measure of light from the heavens increases to such a degree that birds begin to mate, petals on spring flowers open and the Earth softens its frozen grip.
In lunar terms, the first New Moon of the second month (Gregorian) was celebrated in every northern hemisphere culture planet-wide from prehistoric times. From Buddhist to Inuit culture the return of light to nurture the earth’s crucial growing plants was a calendar custom worth celebrating.
When Christian calendar calculators were devising Roman Church high and holy days, they took care to incorporate these ancient fire rites as an integral part of Christian culture and ‘lore’. it did not do to lose a single ‘soul’ in the transition from a pre-Christian to a Christian world.
And, as it was a long-standing tradition for local people to mark ancient quarter days – the solstices and the equinoxes – with festivals of fire, it seemed right that they should transit unaltered into the Christian calendar: marked instead with candlelight inside church buildings.
Christmas was chosen at the time of (northern) winter solstice when the ‘ignorant’ (pagan) desperately needed to celebrate the return of ‘light to the world’. Christ was called the ‘Light of the World’. The Son of the Sun.
Midsummer was fully taken up with a light celebration of its own – in northern latitudes the longest days of the year brought bountiful harvest and genuine thanksgiving by a rural population for the gifts of the earth continuously provided from midsummer through to Lammas, an August ‘cross-quarter’ day. No Church overlay was necessary; nevertheless Roman Catholicism superimposed the feast of John the Baptist on midsummer’s day and frowned heavily on pagan corn dollies and such Celtic fripperies perpetuated by an agricultural society.
The Equinoxes, however, required more serious contemplation.
Most rural (so-called ignorant) converts were aware of the movement of both sun and moon. While that may appear to us today to be rather sophisticated intellectual knowledge, it was commonplace then to note changing seasons, hours of light and dark and the phases of the moon. When equinox arrived it was – in the human mind at least – a miracle that every place on earth had exactly the same number of hours of light and dark for one earth period of 24 hours. The sun rose at 6 and set at 6 on every man, woman, child and beast on earth. The phenomenon was in itself worth celebrating. In astronomical terms, the event occurs precisely at the moment the Sun (traveling along the ecliptic) appears to cross the celestial equator, and while ancient Man may not have known that added sophistication, his life was changed by its occurrence twice in every year. In addition, he celebrated the spring (cross-quarter) festivals of Wesak, Beltane, May Day, along with any events providing an excuse for Morris and maypole dancing, The Church allowed these to continue, so long as the requisite saints were also remembered and offerings given.
While Archangel Michael was given dominion over autumnal equinox, Easter was chosen as a fitting ‘high’ celebration to take over the vernal equinoctial light-and-dark balance.
What put a spanner in the works was that – late in the seventh century – when two contemporary Christian systems were running alongside in mutual cooperation, the internal systems within the Celtic and Roman Churches came to a clash; an impasse.
Hugely influential, powerful and wealthy King Oswiu of Northumbria had been happy to run his Christian nation along the lines of Columba’s Celtic (thirteen-month lunar) calendar issued and maintained from Iona. This Celtic doctrine conveniently recognized the King as head of religious affairs. His Anglian Queen Eanfled, a devout Roman Christian recognized not the King but the Pope as head of the Church. They might have reconciled their differences, had it not been for a calendrical anomaly which in some years had the King ordering huge feasts for Easter at exactly the moment when his Queen was still fasting in Lent. Because another such year was due to happen in AD665, with the assistance of Wilfrid, new abbot at Rippon, and recently returned from Gaul and Rome, the King called the Synod of Whitby in AD664 and led a thorough investigation into the rites and rituals of both systems. The event is described in detail by Jarrow churchman Bede (673-735) who completed his Ecclesiastical History of the English People in 731.While the Synod changed lives, split families and royal houses, even intra-kingdom alliances, thereafter church festivities centred on Easter were standardized throughout the land and celebrated in accordance with Roman custom.
Easter remained the highest festival of the Christian church until the Scots Reformation when (after 1660) presbyterian austerity superimposed simplicity, reduced dogma and a return to ‘speaking to God’ directly.
For the rest of the British Isles, however, and for descendants and dependents the world over, Easter remains one of the great festivals of the Christian calendar.
Curiously, for a celebration washed, ironed and folded so neatly by successive synthesized systems – prehistoric, early-historic, pre-Christian, Celtic and Roman Christian – Easter emerges as a supreme highlight in the Church year.
Its one concession to its pagan past is that is remains to this day a date fixed according to the Moon.
And, in order not to offend other faiths which, like Anglian Eanfled, might take offence at the bulldozing approach (e.g. Spanish Inquisition, Salem witch trials), there is a built-in mechanism of calculation which ensures that Easter and Passover never collide and that the Christian High Festival should never occur BEFORE equinox.
So the little rhyme above, translated, simple enough and sympathetic to Scots ears, sums up global lead-time to Pasque, Pasche, Oster/Easter, the pagan event of maiden-goddess Eostre/Ostara, the Highest Festival in the Christian Calendar: when in the High Days before the Fast of Lent, the Roman Catholic world celebrates. From Italian Carnivale to German Fasching (Fastnacht, the eve before the Fast), prelude to French Pasque, in Portuguese Carnaval and on ‘Fat Tuesday’ of New Orleans’ Mardi Gras, bead-festooned feasters and revellers make merry because tomorrow their stomachs will die.The modern gesture to Pancake or Shrove or Fat Tuesday (Festern’s E’en) is not lost on marketers for supermarket chains who do a roaring trade in maple syrup and readymix batter. It’s the ‘stock up while the going’s good’ mentality, because the body must endure the subsequent fast of Lent for a regulation 40 days. Once more the Roman Church succeeded in condensing multiple events in Christ’s life into one festival: this fast represents the period of time He spent without food while meditating in the desert.
Nowadays, nobody questions that its immediate successor in the calendar is representational of His death and resurrection, when historically the two events happened years apart. Once again, ancient symbolism is used to gloss over detail.
‘First arrives Candlemas (Feast of Bride); Then the New Moon
The following Tuesday will be ‘Fastnacht’/Fasching or Shrove Tuesday
Allow that ‘moon’ to wax and wane
And watch till the next moon is full
The Sunday thereafter will be Easter Day.’
translation by Scots descendant, non-AnonIt worked for King Oswiu in 664. I can assure you, the calculation works still!
©2010 Marian Youngblood
Crop Circles and ancient Lammastide

Overhead 360º view from within the simple swirled crop circle of August 24, 1995 at Culsalmond, Aberdeenshire
Crop circles are not new. The phenomenon is centuries-old, embedded in folklore in South Africa and China, achieving sparse comment from English academics in the 1600s; noted in police records and farming journals in 1890; by military and ‘classified’ sources through the 1950s and ’60s.
It was not until 1980, however, that the general populace began to notice them. Since 1990 size and intricacy have developed, mimicking computer fractals, fourth dimensional reality, esoterica known only to quantum physicists. Nearly 30 years after that Thatcherite time, discussion favours excitement over fear, anticipation rather than suppression, belief more than ridicule. The appearance of upwards of 10,000 reported ‘genuine’ crop circles in twenty-nine countries worldwide has brought the subject into the mainstream. It has become ‘cool’ to talk about what they might mean.
In the English countryside since 2005, designs have become so complex, it is natural to speak of codes and mathematical sequences and quantum physics and astronomical numbers. As simple ellipses expanded into trailing solar flares, hypercubes, calendrical geometry and astrophysical complexity, we became mesmerized by beauty in the summer landscape, breathless with anticipation of what would come next.
In 2009 the pick of the crop finished at the end of August. Fields in September were conspicuous by their absence.
They’ve got us where they want us: on the edge of our seats.
In a lull between September’s close and next year’s crop of never-before-seen designs, what have we learned? Why are we being gifted such inspiration?
What associative ideas do they generate? What emotions do they trigger? Where do they mostly appear?
Many delving, however briefly, into this phenomenon would associate the random appearance of crop circles with that other kind of circle: the ancient and sacred stone circle. That the majority of designs in England has focused on the hallowed precincts of great sacred sites like Avebury and Sillbury Hill, Wiltshire, Rollright Stones, Oxfordshire and within sight of ancient burial mounds of Hampshire is no coincidence. The same is true for appearances near ancient ancestral sites in other countries: Holland, Germany, Italy, Slovenia, Latvia; even the Serpent Mound, east of Cincinnati, Ohio. In all this exotica, it is easy to miss one particular circle of great simplicity but infinite importance in the farmland of Aberdeenshire, Scotland, which appeared at the end of Lammas, 1995.
A little patience and we can find a context, a common link.
First off, like the siting of ancient stone circles, crop circle placement is not random.
Dowsers, diviners, engineers, television cameramen and aircraft pilots can all attest to electromagnetic anomalies occurring in cleared agricultural land where Neolithic and Bronze Age farmers placed their mounds, erected their trilithons, buried their dead. Feng shui proponents, who detect minute variations in electrical body pulses, have commented on the extraordinary fluctuations of energy contained within the relatively small area concentrated on Wiltshire’s sacred sites; Alton Barnes, with its twin village Alton Priors, rank high on the electromagnetic scale. It is not surprising, therefore, that this select valley houses not only the prehistoric White Horse, but was home to Milk Hill swallow configuration (2008) and multiple coded designs in 2009: whirling dolphins, star tetrahedron and the sextant (star navigational instrument) created in three stages; contemporary appearances at Alton Priors include – in perfect timing – the exquisite eight/infinity symbol of 08/08/08 (August 8, 2008) and the swallow with coded tail of June 2009.
- Woven corn dolly centre at Sillbury Hill crop circle August 3, 2009
- Woven centre, reminiscent of ancient corn dolly craft, Sillbury Hill August 2009
- White Horse and Star Guidance sextant Crop Circle, Alton Barnes, Wiltshire
- Overhead 360º view from within the simple swirled crop circle of August 24, 1995 at Culsalmond, Aberdeenshire
- Annual horse fair and Travelling People’s Market, Aikey Brae, Buchan
You don’t have to be a rocket scientist to watch your compass needle fluctuate wildly at Yatesbury, Wiltshire; a newly-charged car battery die on the edge of a field at Sillbury Hill, near Avebury or your camera spontaneously recharge in the centre of a newly-laid crop design at Alton Barnes. These magnetic phenomena are commonplace to students of ‘leyline’ energy meridians, with which the Wiltshire basin and Cotswold range are filled. But it is significant that Yatesbury was home to the dragonfly glyph of June 3rd and Phoenix of June 12th 2009. Sillbury Hill has always deviated instruments; its great chalk mound resisting man’s excavations to discover its secret; but it opened its fields to decoration of extraordinary complexity on August 3rd, 2009 when plain swirled circles were found to contain at their centres the intricately woven patterns reminiscent of the medieval corn-dolly craft.
According to a representative of the British Feng Shui Society, an area of Britain ranking second only to the Avebury-Yatesbury-Windmill Hill energy vortex is the largely forgotten agricultural plain of Scotland–lying between the 56th and 57thN parallel–in the counties of Angus, Aberdeenshire and Banff. World attention has focused on names like Bishops Cannings, the Roundway, and Chiselden. But how many have heard of Sunhoney, Easter Aquhorthies, Culsalmond or Old Rayne?
Among the excitement of first circles decorating Wiltshire and Oxfordshire in the 1990s, the contemporaneous appearance of a single swirled design in wheat in Aberdeenshire was overlooked. Yet their locations–within ancient sacred landscape, in proximity to prehistoric ritual sites of previously huge importance to a country population–and the time of year in which they appeared have a common link.
In ancient times, the Celtic calendar revolved round the farming year: birds start to nest at Candlemas (February 2nd), Vernal Equinox fields are prepared for sowing; Beltane (May 1st) held a huge fire festival celebrating the seeded land; fire festivals were perpetuated ritually and with deliberate intent, until well after the Reformation. Only then did Church and State combine to desecrate such ritual, relegating it to the realm of pagan superstition (pagan = L. paganus = country-dweller), implication: simple country folk knew no better. Midsummer solstice was a time of rejoicing for the bounty beginning to appear in fruit and crops; Lammas (August 1st) marked the onset of harvest, usually over by autumnal equinox; and the Celtic Year ended and began anew with the festival of Hallowe’en/All Hallows Day. Christmas was superimposed on the earlier festival of winter solstice, when the land was in almost total darkness, with farming people praying for the return of the Light.
In an abundance of festivals, the greatest for agricultural and rural families was that of Lammas. While its pivotal date was August 1st, the festival coincided in a good summer with the actual harvesting of grain. In most communities it began three weeks before and continued until three weeks after that date–ending around August 24th. Through the medieval centuries, every community in the Land had a Lammas fair dedicated to the local patron saint, a Horse Fair, a fair to compete, display wares, buy and sell food, fruit and harvested bounty.
Aberdeenshire, like many of the southern counties was rich in such events. The names, if not the actual ethos of the celebration, linger in local names. Old Rayne has its Lourin’ Fair; annual Aikey Fair occurs at Aikey Brae near Old Deer. And Culsalmond had the greatest fair of them all: St Sair’s Fair. Named after one of the earliest Brittonic saints to spread Christianity in the North, St Serf was the patron of the St Sair’s Horse and Feeing Fair. Not only serving as a forum for employing (feeing) farm servants, it attracted horse and cattle fanciers from all over the kingdom. While Aikey and Lourin continue to show horses, St Sair’s Fair did not survive World War II.The stance at Jericho on the Hill of St Sairs has dissolved into the sod of the Glens of Foudland, like the tiny chapel to St Sair which used to mark the spot. Even after such fairs were officially banned in 1660, St Sairs was going strong in 1722. Horses were being traded in 1917 on the hill. Change in farm practices and two wars were its undoing.
What is significant, however, is not that great stallions used to parade these hallowed slopes, but that St Sairs happened within a sacred enclave of ancestral ritual circles, burial mounds and avenues just like Avebury and Sillbury Hill. The Culsalmond recumbent stone circle lies buried among the gravestones of the ruinous pre-Reformation kirk; Neolithic carved stone balls were found on the farms of Jericho, St Sairs and Waulkmill, within a sacred avenue flanked by three stone circles and two burial mounds. Bronze Age urns from Colpy and Upper Jericho have, along with charred body parts and Neolithic carved stone ladles, found their way into museums in Aberdeenshire, Edinburgh and London. More than one hundred flint arrowheads and several hundred flint implements have disappeared from this ancient place–and the archaeological record.
It was here on the last day of Lammas 1995 that a crop circle sent a reminder–a simple swirled design in wheat–to trigger in this ancient landscape a memory of connection to its agricultural past and, perhaps, if we are listening, the key to our communal future.
©2009Marian Youngblood









































