Saturnalia, a Saturn-Jupiter Conjunction—Feasting & Ritual 2020 Solstice
SATURNALIA and SATURN-JUPITER CONJUNCTION
December 2020 will not disappoint. Hard on the heels of celebrations for Hallowe’en, Thanksgiving and Diwali by a world weary of restrictions, comes Greek/Russian Orthodox Advent and—back to our pagan roots—Roman Saturnalia.
You thought Hogmanay in Scotland (December 31st) was wild, unruly and, like the people, friendly. We’ve a whole gamut of cultures to wander through before the month is out, and that happens.
Saturn-Jupiter 20-year ‘Collision’: Giant Conjunction on Solstice
Meantime, astronomers and astrologers are scanning the evening skies and their charts in preparation for Solstice, December 21st—the longest night—and the moment before dawn aka 10:20a.m. PST when both giants, Jupiter and Saturn, come to within one-tenth of a degree (6.1 arc minutes) of each other. So close, they will look like one bright star.
Nightly, the gap is rapidly closing between the two, as worldwide telescopes—except the sad, abandoned Arecibo— pictured below after collapse—are nightly trained to watch the northern heavens. The Great Conjunction happens when both planets’ orbits appear to intersect from our Earth view. Jupiter’s orbit round the Sun—’sidereal period’—is 11.86 years. Saturn’s is close to 30 (29.65 years).
They met in 1980 and 2000. But, the last time they met this close was 1623.

‘A sidereal period is defined as the time required for a celestial body within the solar system to complete one revolution with respect to the fixed stars. Saturn’s period of 29.65 years multiplied by Jupiter’s period of 11.86 years amounts to 351.65. Dividing this value by the difference in their sidereal periods gives us 19.76 years.’ Space.com
Roughly every 20 years, Jupiter and Saturn have a rendezvous. Photo NSF Arecibo after second cable snapped, November2020
Coincidentally, that Great Conjunction of 1623 was 20 years before the Great Fire of London which destroyed and incapacitated the Great Plague. Shadow phantoms surfacing for 2020, amid medical excitement at the prospect of a new vaccine.
Roman Saturnalia Pulls out all the Stops
The ancestors knew how to handle stress, chaos, the unknown. Prior to the darkest times, even before all our Solstitial shenanagans, there’s that time of anticipation in preparation for Yule, and the 3-day ‘standstill’ of the Sun. When time appeared to stop, the Ancients gladly rejoiced at its return, rebirth, reincarnation. Romans chose to celebrate (Julian calendar, December 17-23) in all-out chaos-defying orgiastic manner. Feasting, baths, Games, entertainment. With loads of wine.
By late Roman times (early Christian era), the Circus Maximus was alive with events, chariot races, slave gladiator hand-to-hand combat, spilling blood in the day, and wine at night.
KRONOS (Roman Saturn) was the primordial Greek god of time. In the Orphic cosmogony he emerged self-formed at the dawn of creation. He was seen as discorporeal, serpentine in form, with three heads—of a man, a bull, and a lion. He and his consort, serpentine goddess Ananke—Inevitability—enveloped the primordial world-egg in their coils and split it apart to form the ordered universe of earth, sea and sky. After this act of creation the couple circled the cosmos driving the rotation of heaven and the eternal passage of time
Khronos, Father Time—in his human persona Aeon—holds zodiac wheel in balance for human race

The figure of Kronos was essentially a cosmological double of the Titan Kronos/Cronus—Father Time. Confusing the heirarchy, Hellenist culture sometimes merged Kronos with creator-god Phanes, and occasionally with the Titan Ophion. He became Saturn, Roman god of agriculture and abundance.
Saturn metamorphosed for Rome, as god of regeneration, dissolution, plenty, wealth, agriculture, periodic renewal and liberation. Saturn’s mythical reign was depicted as a Golden Age of peace and plenty.
At some point after Circus Maximus became such a success—Bread and Circuses appease the masses—the god of a successful harvest (including grapes) and bountiful year-end had focus of his celebration enlarged to include gifts from Bacchus, Dionysus, Cupid. Latterly c.4thC it was a necessary therapeutic year-end party for the people that lasted six days. Rich and poor alike, all work ceased and the rich reclined in their triclinium, and the poor reached over laden tables and drank themselves into oblivion.
It was not unknown for rich Romans to have their digestive systems soothed and enhanced by addition of hemp to the communal wine decanter.
Ladies were not immune to the charms of triclinium dining, top left. They usually ended in a drunken orgy or were spirited off by a faithful servant to attend the Games while sobering up. A week of solid eating and drinking, attending the vomitorium and returning to the table, plus attending Circus gladiatorial displays or chariot races must have been a punishing schedule. But, as they say, it’s only once a year! Carpe diem.
Celebrate Last Dark Days & Return of the Light
Writerly Shoutout to Celebrating NaNoWriMos
Once that Saturnalian party atmosphere begins to illuninate your dark days, and remembering we Space Age writing revellers-in-Lockdown are able to find ways to celebrate nobody ever thought of, there are a few signs.

Saturnalia: Time of MisRule and Synthesis
Romans decorated their houses with wreaths & seasonal greenery, shed traditional togas in favour of colourful clothes called synthesis. Slaves especially didn’t have to work during Saturnalia. Their servant’s cap was removed, & they got to share in the festivities, sitting at the table while their masters served.
No work was undertaken, law courts were closed, They spent 17 days & nights (extended late A.D. 2-3rdCC to Jan.6 Epiphany) drinking, gambling, singing, playing music, feasting, vomiting, bathing, socializing and giving the gods and each other special gifts e.g.wax taper beeswax candles—cerei— seasonally symbolic of return of the light after the solstice. Circus Maximus entertainment was high on citizens’ social calendar. Think Gladiators & free food.
Snow, Hail or Lightning, Keep on Writing thru the Storm
Venus balances Mars’ fire as the Sun stands still on cusp of Capricorn for three days. Its rebirth is heralded by Saturn and Jupiter conjunct, both at 0º Aquarius midheaven with Mercury direct. All go for new beginnings.
For those fellow scribes who just completed their writing marathon at NaNoWriMo, bet you’re glad November is over. Breathe. There, that brief rest was short-lived—look out here comes Saturnalia—then Christmas: another pagan tradition reworked to fit in admirably with human need for ritual—for beginnings and endings. Interesting that Mithras, Dionysus, Horus and Krishna were born at Midwinter. Happy Solstice.
Post scriptum—with the heartening news of a British-International vaccine, we can all give a sigh of relief. ©2020 Marian Youngblood
Auspicious Beginnings to the New Decade—Written in the Stars
AUSPICIOUS BEGINNINGS TO THE NEW DECADE—WRITTEN IN THE STARS
Looking to the Future: 2020 Corner for Insecure Writers in all Dimensions
Glancing Briefly Backwards…

‘Diamond Ring’—old NASA-speak for moment solar orb reappears after annular eclipse December 26th 2019
Solar Eclipses are often dramatic when they occur close to Winter Solstice and this event was spectacular in that the new moon happened so close to Christmas.

Last solar eclipse of the decade—December 26th path of visible totality
…Glimpse of Future
Summer Solstice, June 21st, 2020 miraculously will provide another annular eclipse of the sun—again delighting India, Pakistan, Arabian continent and Southern Oceans. No hint in the northern hemisphere. And to complete the 2020 trio, December 14th 2020 brings a third (northern-invisible) eclipse.
There has to be a moral in there somewhere for us (northerly) Insecure Writers!
Jumping Time Zones and a British EarthShot for Humans
As the New Year and new Decade start to unfold—twenty-three hours ahead of time for us (northern) slug-laggards—and remembering that U.S. legislation bans public sale or explosion of fireworks, except on July 4th—it is fascinating to watch some of the fun & fireworks go off live—and virtually—in New Zealand, Thailand, Taipei, Pakistan, and Ceylon in good olde British style and tradition.
Earthshot Prize British Royal Initiative

Up the Khyber—HRH Prince William climbing in the Hindu Kush—2019 Royal tour of Pakistan cemented relations
“The earth is at a tipping point and we face a stark choice: either we continue as we are and irreparably damage our planet or we remember our unique power as human beings and our continual ability to lead, innovate and problem-solve”
HRH Prince William, Duke of Cambridge, Earthshot Founder
Prince William’s inspiration for a new decade is world-changing. Literally. Cooperating with octogenarian broadcaster-naturalist Sir David Attenborough, the 37-year-old Prince’s initiative is to heal the planet, one annual award at a time. His Foundation is shared by his eco-planting nature-loving consort, HRH Catherine, Duchess of Cambridge, who made strides last year to bring focus to human damage to our changing earth, and our duty to do something about it. Her own nature-driven remedies for mental health have been widely copied.
“The next ten years presents us with one of our greatest tests—a decade of action to repair the Earth”
HRH Prince William, Patron Earthshot Prize
Prince William’s clarion call to British, Commonwealth and international entrepreneurs, influencers, and innovators is to “remember the awe-inspiring civilizations that we (humans) have built, the life-saving technology we have created,” and that “inspired people can achieve great things.”

Clavie King & Crew hoist burning tar barrel for annual parade round Pictish fort of Burghead on Aul”Eel—old Yule 6th January—Julian calendar
The Prize will be run initially by The Royal Foundation of the Duke and Duchess of Cambridge, with first annual awards announced in 2021. Long term plan is for it to become an independent organization.
The charitable trust has already received financial commitment and logistical support from a global coalition of philanthropists and fund-raising organizations.
Earthfirst and Nature non-profits have heralded the new initiative as a brilliant coalition of the world’s best minds.
‘In just ten years we can go from fear to hope, from disaster to discovery; from inertia to inspiration’
World Wide Fund for Nature (WWF)
So when all the Highland Reels, Roman Candles and Midnight countdowns have spun off into an alternative Universe and we emerge in the moment of now: 2020—it helps us (insecure but determined to be brilliant writers) to remember that we, too, have a part in contributing to our own healthy future; that one-word-at-a-time is like planting our own future forest.
Only the writer knows how rejuvenating it feels to ‘put a story to bed’. Shake out the red carpet. Roll on the new decade. And, with gratitude, let us put our best first-foot forward.
Let the new era begin.
©2020 Marian Youngblood
Solstice: It’s About Light
As December moves towards the shortest day, we all panic a little. It’s not the present-wrapping still to do, the festive mince pies to bake, the cards to write: though those and other events on the to-do list seem endless and we’ll never get it done.We will. That’s the point: we’ll get there.
But there is something else. Somewhere deep in the collective unconscious (thank you Carl Jung) there is an unfounded fear that when the shortest day arrives, the sun will not only stand still but may never rise again. That may sound crazy to someone who doesn’t look up at the sky much; who sees ‘light’ as something akin to the strange offerings on Photobucket under that search item: a neon tube.
But there are others among us, myself included, who look to the skies in these fast diminishing days and wonder if the light will return. I miss it so. In the so-called temperate zone, we lose the light at a rate of roughly four minutes per day until December 21st, when the sun ‘appears’ to stand still. And then it turns round and light increases at the same rate until equinox. I blogged last week about how the light-deprived Scots celebrate solstice in Burghead at the latitude of Alaska. No Seasonal Affective Disorder (SAD) for them
The Norwegians, too, know all about that latitude: over half their huge country lies north of the 57º parallel. In Murmansk, on the White Sea, they keep the street lights on from October until April. They’re not just street lights either, they are specially formulated UV, designed to trigger serotonin in the SAD population and offer some hope to a city starved of sun for five months of the year.
Yes, serotonin is the hormone secreted by the human brain in the process of joy. It’s what we as a species need to keep going. Joy and light. And at this season when all the shops are declaring it is time to be ‘merry’, joy may be hard to find, unless we consciously engender it.
So it may be relevant to fostering a little joy that I give you a small ditty which appeared in today’s Daily Mail and one which the people of Norway are still pondering over.
I won’t add the comments from the unbelievers (failed Russian spacecraft, holographic searchlight); the positive view is that it is – in the middle of Arctic winter – a light in the sky. Not exactly aurora borealis, but something electromagnetic and atmospherically-unusual. A spiral of light in the sky. There’s hope.
Aurora, now. That’s another delight we may witness at our latitude if we’re lucky, at this dark time of year. It might even be seen as a magical mechanism devised by solar wind and earth’s magnetosphere to whisper awe into our unresponsive consciousness.
But to stand on a hill on a starlit night, hot water bottle wrapped round kidney region, three scarves and wool hat in place, furry boots and six layers of woolly jumpers over frail human body, and watch as the firmament wheels for an hour in cathedrals of light, is something not to be missed.
For that I will go through another dark winter in this wild northern latitude.
On January 12 last year the population of Siguida, Latvia experienced the light equivalent of an ice storm: over the city’s streets hovered a cloud of light which then descended into pillars. Scientists attributed the columns of light which hung suspended in air for more than five minutes to frozen crystals of water or minute particles of ice. But to a child it must have looked like a winter fairy’s magic wand had waved.
There will always be the view of the jaded reporter, the overworked NASA scientist, the prosaic explanation of a failed Russian nuclear test to write off phenomena like these.
I fancy the childlike fairytale explanation myself.
In the dark days of what amounts to a period of hibernation for humankind in the northern hemisphere, isn’t it wonderful to know that the Cosmos is still bringing us its own version of Son et Lumière? Those unexplained shimmering beams of light bent by electromagnetic forces relatively few of us yet understand, spinnning constantly round our Blue Planet.
You thought Crop Circles were cool: in midwinter, Light is even Cooler.
Crop Circles and Ancient Lammastide
CROP CIRCLES AND ANCIENT LAMMASTIDE
A Crop Circle Reverie Ten Years On…

Overhead 360º view from within the simple swirled crop circle of August 24, 1995 at Culsalmond, Aberdeenshire
Crop circles are not new. The phenomenon is centuries-old, embedded in folklore in South Africa and China, achieving sparse comment from English academics in the 1600s; noted in police records and farming journals in 1890; by military and ‘classified’ sources through the 1950s and ’60s.
It was not until 1980, however, that the general populace began to notice them. Since 1990 size and intricacy have developed, mimicking computer fractals, fourth dimensional reality, esoterica known only to quantum physicists. Nearly 30 years after that Thatcherite time, discussion favours excitement over fear, anticipation rather than suppression, belief more than ridicule. The appearance of upwards of 10,000 reported ‘genuine’ crop circles in twenty-nine countries worldwide has brought the subject into the mainstream. It has become ‘cool’ to talk about what they might mean.
In the English countryside since 2005, designs have become so complex, it is natural to speak of codes and mathematical sequences and quantum physics and astronomical numbers. As simple ellipses expanded into trailing solar flares, hypercubes, calendrical geometry and astrophysical complexity, we became mesmerized by beauty in the summer landscape, breathless with anticipation of what would come next.
In 2009 the pick of the crop finished at the end of August. Fields in September were conspicuous by their absence.
They’ve got us where they want us: on the edge of our seats.
In a lull between September’s close and next year’s crop of never-before-seen designs, what have we learned? Why are we being gifted such inspiration?
What associative ideas do they generate? What emotions do they trigger? Where do they mostly appear?
Crop Circles as Seasonal Meditation and Earth Connection

White Horse and star guidance sextant crop circle, Alton Barnes solstice 2009
Many delving, however briefly, into this phenomenon would associate the random appearance of crop circles with that other kind of circle: the ancient and sacred stone circle. That the majority of designs in England has focused on the hallowed precincts of great sacred sites like Avebury and Sillbury Hill, Wiltshire, Rollright Stones, Oxfordshire and within sight of ancient burial mounds of Hampshire is no coincidence. The same is true for appearances near ancient ancestral sites in other countries: Holland, Germany, Italy, Slovenia, Latvia; even the Serpent Mound, east of Cincinnati, Ohio. In all this exotica, it is easy to miss one particular circle of great simplicity but infinite importance in the farmland of Aberdeenshire, Scotland, which appeared at the end of Lammas, 1995.*
A little patience and we can find a context, a common link.
First off, like the siting of ancient stone circles, crop circle placement is not random.
Dowsers, diviners, engineers, television cameramen and aircraft pilots can all attest to electromagnetic anomalies occurring in cleared agricultural land where Neolithic and Bronze Age farmers placed their mounds, erected their trilithons, buried their dead. Feng shui proponents, who detect minute variations in electrical body pulses, have commented on the extraordinary fluctuations of energy contained within the relatively small area concentrated on Wiltshire’s sacred sites; Alton Barnes, with its twin village Alton Priors, rank high on the electromagnetic scale. It is not surprising, therefore, that this select valley houses not only the prehistoric White Horse, but was home to Milk Hill swallow configuration (2008) and multiple coded designs in 2009: whirling dolphins, star tetrahedron and the sextant (star navigational instrument) created in three stages; contemporary appearances at Alton Priors include – in perfect timing – the exquisite eight/infinity symbol of 08/08/08 (August 8, 2008) and the swallow with coded tail of June 2009.
- Woven corn dolly centre at Sillbury Hill crop circle August 3, 2009
- Woven centre, reminiscent of ancient corn dolly craft, Sillbury Hill August 2009
- White Horse and Star Guidance sextant Crop Circle, Alton Barnes, Wiltshire
- Overhead 360º view from within the simple swirled crop circle of August 24, 1995 at Culsalmond, Aberdeenshire
- Annual horse fair and Travelling People’s Market, Aikey Brae, Buchan
Moving the Magnetic Matrix
You don’t have to be a rocket scientist to watch your compass needle fluctuate wildly at Yatesbury, Wiltshire; a newly-charged car battery die on the edge of a field at Sillbury Hill, near Avebury or your camera spontaneously recharge in the centre of a newly-laid crop design at Alton Barnes. These magnetic phenomena are commonplace to students of ‘leyline’ energy meridians, with which the Wiltshire basin and Cotswold range are filled. But it is significant that Yatesbury was home to the dragonfly glyph of June 3rd and Phoenix of June 12th 2009. Sillbury Hill has always deviated instruments; its great chalk mound resisting man’s excavations to discover its secret; but it opened its fields to decoration of extraordinary complexity on August 3rd, 2009 when plain swirled circles were found to contain at their centres the intricately woven patterns reminiscent of the medieval corn-dolly craft.
According to a representative of the British Feng Shui Society, an area of Britain ranking second only to the Avebury-Yatesbury-Windmill Hill energy vortex is the largely forgotten agricultural plain of Scotland–lying between the 56th and 57thN parallel–in the counties of Angus, Aberdeenshire and Banff. World attention has focused on names like Bishops Cannings, the Roundway, and Chiselden. But how many have heard of Sunhoney, Easter Aquhorthies, Culsalmond or Old Rayne?
Among the excitement of first circles decorating Wiltshire and Oxfordshire in the 1990s, the contemporaneous appearance of a single swirled design in wheat in Aberdeenshire was overlooked. Yet their locations–within ancient sacred landscape, in proximity to prehistoric ritual sites of previously huge importance to a country population–and the time of year in which they appeared have a common link.
Reconnecting us to our Primeval Earth Calendar
In ancient times, the Celtic calendar revolved round the farming year: birds start to nest at Candlemas (February 2nd), Vernal Equinox fields are prepared for sowing; Beltane (May 1st) held a huge fire festival celebrating the seeded land; fire festivals were perpetuated ritually and with deliberate intent, until well after the Reformation. Only then did Church and State combine to desecrate such ritual, relegating it to the realm of pagan superstition (pagan = L. paganus = country-dweller), implication: simple country folk knew no better. Midsummer solstice was a time of rejoicing for the bounty beginning to appear in fruit and crops; Lammas (August 1st) marked the onset of harvest, usually over by autumnal equinox; and the Celtic Year ended and began anew with the festival of Hallowe’en/All Hallows Day. Christmas was superimposed on the earlier festival of winter solstice, when the land was in almost total darkness, with farming people praying for the return of the Light.
In an abundance of festivals, the greatest for agricultural and rural families was that of Lammas. While its pivotal date was August 1st, the festival coincided in a good summer with the actual harvesting of grain. In most communities it began three weeks before and continued until three weeks after that date–ending around August 24th. Through the medieval centuries, every community in the Land had a Lammas fair dedicated to the local patron saint, a Horse Fair, a fair to compete, display wares, buy and sell food, fruit and harvested bounty.
Aberdeenshire, like many of the southern counties was rich in such events. The names, if not the actual ethos of the celebration, linger in local names. Old Rayne has its Lourin’ Fair; annual Aikey Fair occurs at Aikey Brae near Old Deer. And Culsalmond had the greatest fair of them all: St Sair’s Fair. Named after one of the earliest Brittonic saints to spread Christianity in the North, St Serf was the patron of the St Sair’s Horse and Feeing Fair. Not only serving as a forum for employing (feeing) farm servants, it attracted horse and cattle fanciers from all over the kingdom. While Aikey and Lourin continue to show horses, St Sair’s Fair did not survive World War II.The stance at Jericho on the Hill of St Sairs has dissolved into the sod of the Glens of Foudland, like the tiny chapel to St Sair which used to mark the spot. Even after such fairs were officially banned in 1660, St Sairs was going strong in 1722. Horses were being traded in 1917 on the hill. Change in farm practices and two wars were its undoing.
What is significant, however, is not that great stallions used to parade these hallowed slopes, but that St Sairs happened within a sacred enclave of ancestral ritual circles, burial mounds and avenues just like Avebury and Sillbury Hill. The Culsalmond recumbent stone circle lies buried among the gravestones of the ruinous pre-Reformation kirk; Neolithic carved stone balls were found on the farms of Jericho, St Sairs and Waulkmill, within a sacred avenue flanked by three stone circles and two burial mounds. Bronze Age urns from Colpy and Upper Jericho have, along with charred body parts and Neolithic carved stone ladles, found their way into museums in Aberdeenshire, Edinburgh and London. More than one hundred flint arrowheads and several hundred flint implements have disappeared from this ancient place–and the archaeological record.
It was here on the last day of Lammas 1995 that a crop circle sent a reminder—a simple swirled design in wheat—to trigger in this ancient landscape a memory of connection to its agricultural past and, perhaps, if we are listening, the key to our communal future.
©2009 Marian Youngblood
Lammas 2019 Update
Crop circles continue to amaze a wider world audience, with drone footage clearly making life easier on farmers, with fewer footprints to inflict crop damage.
Attracting an increase in human interpreters, crop designs seem to have elevated messages to the psychic/intuitive level — viz. the computer chip program crop circle at Chualar, Salinas, CA appearance of December 30, 2013.
The Windmill Coincidence
For the last thirty years crop circles have appeared, mostly in Wiltshire and the Chalk Downs of Salisbury and English southern uplands, but not exclusively so. Dutch crop circles have (happily) besieged windmills, man-made canals and tulip fields. Frequent Downs designs have appeared close to functioning windmills, highlighting ancient ways of life—but wait.
In just the last decade it has become clear to us that the harnessing of water and windpower is more urgent than we have ever known.
In hindsight, is it mere coincidence that the solitary Aberdeenshire crop circle of Lammas 1995, top, appeared on the Colpy-Culsalmond farming estate responsible for the pioneer (and largest) private wind-farm to power the North of Scotland, until the official opening (by Prince Charles) this week of the Beatrice Offshore Wind Complex, off Wick (Sutherland)?
Crop Circle Creators have been telling us all along. We just weren’t listening.
©2019 Marian Youngblood